Île du Dôme takes as its starting point the science-fiction graphic novel L’Île d’Auvergne (1993), which imagines a future in which rising water levels have transformed the Auvergne region into an archipelago. In this flooded landscape, the city of Liberty is built across the trunks and canopies of giant sequoias whose roots have adapted to permanent submersion. Despite the scale of the catastrophe, the human relationship to nature remains largely unchanged: survival is still organised through occupation, extraction and control.

Developed as a site-specific work for the Musée d’Art Roger-Quilliot, Île du Dôme proposes a different evolutionary response. Here, humans themselves become rooted: skin turns to bark or stone, bodies become static, and individuals merge with the landscape as living islands capable of supporting other forms of life. The work uses this speculative transformation to rethink ideas of adaptation, interdependence and communication, imagining a society no longer positioned above its environment, but physically embedded within it.