Île du Dôme
(2022)
Île du Dôme takes as its starting point the science-fiction graphic novel L’Île d’Auvergne (1993), which imagines a future in which rising water levels have transformed the Auvergne region into an archipelago. In this flooded landscape, the city of Liberty is built across the trunks and canopies of giant sequoias whose roots have adapted to permanent submersion. Despite the scale of the catastrophe, the human relationship to nature remains largely unchanged: survival is still organised through occupation, extraction and control.
Developed as a site-specific work for the Musée d’Art Roger-Quilliot, Île du Dôme proposes a different evolutionary response. Here, humans themselves become rooted: skin turns to bark or stone, bodies become static, and individuals merge with the landscape as living islands capable of supporting other forms of life. The work uses this speculative transformation to rethink ideas of adaptation, interdependence and communication, imagining a society no longer positioned above its environment, but physically embedded within it.
Toad on the Moon takes the ‘boiling frog’ metaphor as a point of departure: the false but persistent belief that a frog will remain in slowly heated water until it boils. The exhibition uses this fiction to consider how gradual deterioration can become normalised, and how adaptation can shift from a means of survival into a form of inertia.
The title draws on myths that locate the figure of a toad on the moon, where it appears in stories of transformation, immortality and escape. Between the warming water and the moon, the exhibition traces a tension between endurance and withdrawal, asking when adaptation becomes acceptance, and when escape might offer another way of responding to an increasingly uninhabitable present.