Homo branchia

Toad on the Moon takes the ‘boiling frog’ metaphor as a point of departure: the false but persistent belief that a frog will remain in slowly heated water until it boils. The exhibition uses this fiction to consider how gradual deterioration can become normalised, and how adaptation can shift from a means of survival into a form of inertia.

The title draws on myths that locate the figure of a toad on the moon, where it appears in stories of transformation, immortality and escape. Between the warming water and the moon, the exhibition traces a tension between endurance and withdrawal, asking when adaptation becomes acceptance, and when escape might offer another way of responding to an increasingly uninhabitable present.