Loafhead
(2025)
LoafHead centres on a speculative hybrid figure—part body, part bread—used to explore hesitation, escapism and denial. Bread becomes both material and metaphor: something that nourishes and grows, but also dries out, decays and disappears.
Through textile, sculpture and performance, the exhibition looks at how we respond to instability and crisis: how we adapt, avoid, endure or imagine our way out. At once vulnerable and absurd, LoafHead becomes a figure for both exhaustion and the possibility of change.
Produced during the Arnis Art Residency in Arnis, Germany, Island Shoals responds to the particular geography of Germany’s smallest city, situated on a narrow peninsula extending into the Schlei inlet. Formerly an island, Arnis was connected to the mainland in the 18th century, leaving a landscape where the distinction between island and mainland remains geographically and historically present.
Drawing on nautical charts and navigation markers, the work takes the form of an abstracted shoal buoy — a device normally used to signal shallow waters, submerged obstacles and navigational hazards. Positioned on the isthmus that now connects Arnis to the mainland, the marker offers neither a clear warning nor a route towards safe water. Instead, Island Shoals uses this ambiguous geography to consider the island as both refuge and enclosure: a place defined as much by the possibility of retreat as by separation from what lies beyond it.
Location
Oddkin, East Providence, USA
Dates
2025
Materials
Mixed textiles (cotton and blended fabrics); yeasted dough coloured with beetroot and turmeric; acrylic resin and gouache; acrylic paint on fabric
