Loafhead

Loafhead

(2025)

(2025)

LoafHead centres on a speculative hybrid figure—part body, part bread—used to explore hesitation, escapism and denial. Bread becomes both material and metaphor: something that nourishes and grows, but also dries out, decays and disappears.

Through textile, sculpture and performance, the exhibition looks at how we respond to instability and crisis: how we adapt, avoid, endure or imagine our way out. At once vulnerable and absurd, LoafHead becomes a figure for both exhaustion and the possibility of change.

Location

Oddkin, East Providence, USA

Dates

2025

Materials

Mixed textiles (cotton and blended fabrics); yeasted dough coloured with beetroot and turmeric; acrylic resin and gouache; acrylic paint on fabric

The Closer You Look, the Better You Look developed from a single found image of a family on holiday at the beach. As the image was enlarged, its low resolution began to dissolve familiar forms: bodies, objects and gestures became ambiguous, and details appeared to shift into something else. These visual fragments became the basis for a series of drawings and sculptures that translated digital distortion back into physical form.

The work reflects an ongoing interest in looking as a speculative, almost forensic process. Zooming in becomes a way of searching for evidence, constructing narratives from incomplete information and testing how much meaning can be projected onto an image once certainty begins to break down.

The Closer You Look, the Better You Look developed from a single found image of a family on holiday at the beach. As the image was enlarged, its low resolution began to dissolve familiar forms: bodies, objects and gestures became ambiguous, and details appeared to shift into something else. These visual fragments became the basis for a series of drawings and sculptures that translated digital distortion back into physical form.

The work reflects an ongoing interest in looking as a speculative, almost forensic process. Zooming in becomes a way of searching for evidence, constructing narratives from incomplete information and testing how much meaning can be projected onto an image once certainty begins to break down.

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