Snake in a cookie jar

Snake in a cookie jar

(2023)

(2023)

Snake in a Cookie Jar considers colour as a strategy of concealment: a surface that attracts attention while simultaneously obscuring what it contains. Taking its title from the imagined discovery of a snake inside a cookie jar, the exhibition uses this deliberately absurd encounter to examine seduction as a form of misdirection, and the unstable boundary between attraction and threat.

Drawing on ‘snake detection theory’ — the hypothesis that aspects of human vision evolved in response to the presence of snakes — the exhibition connects colour and perception to more primal mechanisms of attention, fear and survival. Across painting, textile and sculpture, colour operates less as decoration than as a lure: intensifying visibility while complicating what, exactly, is being seen.

Location

Seoul

Dates

2023

Materials

ngie

The Closer You Look, the Better You Look developed from a single found image of a family on holiday at the beach. As the image was enlarged, its low resolution began to dissolve familiar forms: bodies, objects and gestures became ambiguous, and details appeared to shift into something else. These visual fragments became the basis for a series of drawings and sculptures that translated digital distortion back into physical form.

The work reflects an ongoing interest in looking as a speculative, almost forensic process. Zooming in becomes a way of searching for evidence, constructing narratives from incomplete information and testing how much meaning can be projected onto an image once certainty begins to break down.

The Closer You Look, the Better You Look developed from a single found image of a family on holiday at the beach. As the image was enlarged, its low resolution began to dissolve familiar forms: bodies, objects and gestures became ambiguous, and details appeared to shift into something else. These visual fragments became the basis for a series of drawings and sculptures that translated digital distortion back into physical form.

The work reflects an ongoing interest in looking as a speculative, almost forensic process. Zooming in becomes a way of searching for evidence, constructing narratives from incomplete information and testing how much meaning can be projected onto an image once certainty begins to break down.

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